Fat filter

The Key Listen function. 10. Output Meter. Displays the post-Gate signal level. 11. Gain Reduction Meter. Displays the amount of Gain Reduction applied by the Gate to the channel. Page 44: Compressor Mode The Fat Channel StudioLive™ Series III Fat Channel Navigation Owner’s Manual Select the kick drum channel as the Key Source, either by turning Encoder 5 in the Fat Channel to select it, or by using the Key Source selector on the touchscreen. Page 45 The Fat Channel StudioLive™ Series III Fat Channel Navigation Owner’s Manual 6. Comp>EQ. The Compressor and EQ can be reordered in the signal path. By default, the signal passes through the compressor before passing through through EQ. When reordered, the EQ is placed before the compressor in the signal path. Page 46 The Fat Channel StudioLive™ Series III Fat Channel Navigation Owner’s Manual Fat Channel), along with useful metering and a graphical representation of the effect of current settings. Touching any onscreen knob allows you to use the Master Control encoder to set the selected parameter. Touching a drop-down selector (such as Key Source) lets you select from a list of relevant choices. Page 47 The Fat Channel StudioLive™ Series III Fat Channel Navigation Owner’s Manual 4. Key Filter. This encoder sets, and the scribble displays, the frequency at which the Tube Leveling Amplifier will engage. It will still process the entire frequency range, but it is only engaged when the specified frequency is present. Press the button below to listen to the signal being used to trigger the compressor (including the effects of the high-pass filter, as set with the Key Filter control). Page 48 The Fat Channel StudioLive™ Series III Fat Channel Navigation Owner’s Manual 6. Key Filter. This encoder sets, and the scribble displays, the frequency at which the compressor

If you make homemade stock, gravies, sauces, or bone broth, you're no stranger to the job of skimming excess fat that accumulates on the surface of your liquid recipe. Too much fat can give an oily mouthfeel and add unwanted calories to your recipe—plus it solidifies into an unsightly, cloudy layer of fat when chilled. Although refrigeration can actually help you remove unwanted fat from these liquids, fat takes hours to solidify this way. It's much easier and faster to use a dedicated fat separator during cooking. Fat separators resemble measuring cups and are designed to drain liquid while keeping the fat layer contained. They can be made from plastic or glass and drain from a pour spout or plug in the bottom of the cup. Both styles are easy to use and most are dishwasher-safe for ease of cleaning up greasy residue. We researched the top fat separators on the market, evaluating their quality, heat resistance, filter efficiency, and ease of use. Whether you're gearing up for soup season or planning the perfect holiday turkey gravy, here are the best fat separators to get the job done.Our Top Picks What We LikeLeakproofBottom drain for best liquid funnelingSoft, non-slip handleWhat We Don't LikeTiny debris may fall through bottom drain OXO Good Grips designs some of the most innovative, easy-to-use, and ergonomic kitchen gadgets on the market so it's no surprise this fat separator takes our top spot. This fat separator has a drain built into the bottom of the cup

Remove fine bits and sediment, so there’s no need for a second strainer. When it’s not being used for separating fat, you can use this as a standard measuring cup, for heating water in the microwave, or perhaps even for making tea. This is dishwasher-safe for easy cleaning. Volume: 4 cups | Material: Glass | Pour Style: Bottom-draining | Dishwasher-Safe: Yes Final Verdict When you find your hands covered in turkey drippings and need a convenient and efficient fat separator to make that gravy magic happen, the OXO Good Grips 4-cup Gravy Fat Separator is the best choice. The Fatsoff Soup Scoop Fat Skimmer is a low-cost tool to hand on-hand for skimming fat from drippings and stocks. How We Researched To compile this list, our team of editors and contributors spent hours researching the top-rated fat separators on the market, evaluating their key features, including heat resistance and filter efficiency. We carefully compared the key components of an excellent fat separator, from the quality of the strainer to the ease of use. We also looked at reviews from customers and other trusted sources. We then used this research to assess which fat separators were the best for all your holiday cooking needs and beyond. What to Look For in a Fat Separator Material There are three primary materials used for fat separators–plastic, stainless steel, or glass. Each has its pros and cons. Glass is sturdy and beautiful, but breakable. Plastic is durable and affordable, but plastic comes in many

In this technique, you’ll learn how to save custom audio filter settings in both Final Cut Pro X and Soundtrack Pro.This tutorial was suggested by Rob Robinson, who wrote:I’m editing a piece (first of 5 hours) that was recorded in a very live room. I’m happy with what I’ve achieved using [two audio filters in FCP X: the] Mud Removal effect plus an edited Fat EQ. Is it possible to save the parameters and apply it to the other four hours of material (other than manually)?Larry replies: Yes for some filters in FCP X and almost all filters Soundtrack Pro, but not in FCP 7. However, you are only able to save presets for individual filters, you can’t create a preset that includes multiple filters.NOTE: Some filters in FCP X do not allow saving presets. A quick way to tell is to click the Preset menu in the Inspector. If “Save Preset” is there, you can save customized presets.FINAL CUT PRO XHere’s how to customize audio filters in FCP X:1. To apply an audio filter to a clip, select the clip.2. Open the Effects Browser (Command+5)3. Locate the filter you want to apply to the clip. You can apply a filter to a clip in one of two ways:a. If the clip, or clips, to which you want to apply the filter is selected, double-click the filter. It is instantly applied to all selected clips.b. If the clip is not selected, drag the filter and drop it on top of the clip where you want to apply the filter.4. Make sure the clip is still selected, open the Inspector (Command+4) and click the small icon to the right of the filter name to open the filter interface.5. Adjust the filter to suit your needs. (It is WAY beyond the scope of this article to adequately cover audio filters. Check out this video training for details on some of the more popular filters and their settings.)6. Once you have the filter adjusted to your satisfaction, click the Preset popup, and select Save Preset.7. Give the preset a name – something that makes sense to you – and click OK.8. Now, whenever you need to reuse that setting, simply apply the filter to a clip, and select the customized preset from the Preset popup menu.SOUNDTRACK PROThe process is somewhat simpler for Soundtrack Pro because virtually every filter allows saving custom presets. Unlike Final Cut, which applies filters to clips, Soundtrack filters are applied to a track. This means that every clip in the track is modified by that filter.Here’s how this works:1. To apply a filter, select a track then click the Effects tab in the left pane of the interface.2. The left column lists filter categories. The right column lists the filters inside a category.3. In this example, double-click the Fat EQ filter to apply it to the selected track, or tracks.4. When you first apply a filter to a track, the filter interface opens up. Make whatever adjustments to the