Goodhertz lossy

Author: s | 2025-04-25

Demoing Goodhertz Lossy and Wow Control on a Piano SampleLossy - Demoing Goodhertz Lossy and Wow Control on a Piano SampleLossy -

Lossy by Goodhertz - Audio Tools

The infinitely desirable sound of crappy mp3’s, broken cellphones, streaming videos, and much more.Now available as a pedal from Chase Bliss! Getting to know Lossy --> In June of 2014, producer & friend-of-Goodhertz, Tyler Duncan, wanted a certain drum fill to sound like the year 2001 — that is, like a low bitrate digital mp3 ripped from KaZaA.We understood him immediately. Since the dawn of the second recording format, mankind has longed for the aesthetic imperfections of the previous recording format.“Would a bitcrusher do?” No, Tyler didn’t have 8-bit in mind. He wanted lossy digital audio: streaming music on a 56k modem, an mp3 ripped from a CD-R, light jazz music streamed over a cellphone, a YouTube video uploaded in 2007. What if a plugin could degrade digital audio and simulate those quintessential compressed sounds in realtime?So we built Lossy: artifacts of heavily compressed audio in a highly tweakable realtime plugin.Goodhertz asks: are you ready to nostalgize the beautiful harmonics of heavily compressed digital audio? Are you ready to enter the underwater cathedral?-> Original blog post from 2015 about the story behind Lossy: “Lossy’s Uncharted Waters” Lossy in use Aug. 1, 2023 How to Sound Like Phoebe Bridgers in Your Bedroom Not to spoil the ending, but the answer is: Lossy Nov. 8, 2022 Loyle Carner breaks down Hate “A plugin that’s really instrumental to this record is the, um, Goodhertz — this company called Goodhertz — and they do this plugin called Lossy […], used that on a lot Chase Bliss has released a wonderfully pink new stompbox called Lossy in collaboration with Goodhertz. The pedal captures the weird imperfections and degradation that occurs when digital audio is compromised.Lossy was originally a plugin by Goodhertz and has now been adapted as a pedal with new features. It also hosts advanced connectivity and customisation options including MIDI, CV and Expression control, presets, and internal modulation of all its knobs.READ MORE: Manson launches new stripped-down Junior model in five vibrant coloursThe Y2K-inspired Lossy provides the “nasty and beautiful mistakes” that happen when digital audio is shrunk or transferred. The examples that Chase Bliss provides of this are music streamed on a 56k modem, an MP3 ripped from a CD-R, or a viral video from 2007 played through a mobile phone.Though developed off the back of the plugin, the pedal version is by no means the same. Lossy has three modes – Standard, Phase Jitter and Inverse. These are joined by two Packets that bring randomised motions and blemishes to your output.Filter and Frequency controls on the left-hand side of the pedal work in partnership with a Slope toggle that adjusts the tone of the effect. There’s also a Spectral Freeze ability, as well as a Global control knob which affects the intensity of all sounds from Lossy, and a general Reverb knob.Check out the videos below for a closer look at all of the features that Lossy has to offer:Chase Bliss also teamed up with Empress Effects for the Reverse Mode C pedal earlier this year. The “multidirectional delay” paid tribute to a mode on the Empress Superdelay, released in 2008.As Chase Bliss says, with Lossy “every day can be Y2K.” Lossy is available now for $399, and you’ll also get 50 percent off the plugin version with your purchase. Find out more or order directly from Chase Bliss.

Fooling around with Goodhertz Lossy - YouTube

Podcast Pedals Blog Join the Collaborative Here we are going through the sounds of loss. More specifically, the differences and similarities between the Lossy pedal, a collaboration between Chase Bliss and Goodhertz…(essentially the Lossy plug-in in pedal format) and the Generation Loss Mkii, here in 10th Anniversary Limited Edition VHS colourway.Lossy dissects the digital degradation from the late 90s and early 2000s. Ripping a CD to your computer as mp3 and then burning it to a CD-R, giving it to a buddy who then rips it to mp3s on their computer and uploading it to Napster on a 56k modem, for you to then download it back onto your computer on your parent’s dial up connection. Audio at its finest! Lossy explores all the digital mess that came along during that era and lets you bring it to new life in a way you can choose for yourself!Gen Loss goes back in time even more, to the 80s, and the early days when physical tape—reel to reel—was still in use. Wow and flutter and failure and over saturation. Dirty and noisy and full of hiss.Both of these pedals can bring a new sound to your signal chain from the sounds of yesterday, but which one if for you?Come along as we explore the two pedals side by side. How do they differ? How are they the same? Can we get the same sounds out of each one? (TL;DR: YES!)Hopefully this helps answer the question: “Which loss should I choose?” Chase. Demoing Goodhertz Lossy and Wow Control on a Piano SampleLossy -

Goodhertz Lossy product page - pluginplug.io

CodeRabbit: AI Code Reviews for DevelopersRevolutionize your code reviews with AI. CodeRabbit offers PR summaries, code walkthroughs, 1-click suggestions, and AST-based analysis. Boost productivity and code quality across all major languages with each PR.Nutrient – The #1 PDF SDK Library, trusted by 10K+ developersOther PDF SDKs promise a lot - then break. Laggy scrolling, poor mobile UX, tons of bugs, and lack of support cost you endless frustrations. Nutrient’s SDK handles billion-page workloads - so you don’t have to debug PDFs. Used by ~1 billion end users in more than 150 different countries. LameVST 1 5 48 2.6 C++mp3 as VST-effectI did this "the old way": some experiments to understand how the codec reacts to spectrum and dynamic changes, and then non-realtime encoding once I'm done rendering. I found out that most VST cannot get that precise sound we love. Lossy by Goodhertz is a bit better of the others, LameVST ( is ok and free, but there's something always missing. CodeRabbitcoderabbit.aifeaturedCodeRabbit: AI Code Reviews for Developers.Revolutionize your code reviews with AI. CodeRabbit offers PR summaries, code walkthroughs, 1-click suggestions, and AST-based analysis. Boost productivity and code quality across all major languages with each PR.NOTE:The number of mentions on this list indicates mentions on common posts plus user suggested alternatives.Hence, a higher number means a more popular project.Suggest a related projectRelated postsShow HN: VSC – An open source 3D Rendering Engine in C++TensorRT-LLM runtime now open-sourceBringing AI workloads to open source MySQLFriction: Powerful motion graphics application to create vector animationsCloudflare blocking Pale Moon and other browsers I am currently using both Vulf Compressor and Wow on a project to get lo-fi crunch on drums that I couldn’t get any other way. I have also used Wow instead of normal chorus plugins to widen and separate sounds. I like different and quirky things to stand out from the crowd. —Khaliq Glover Goodhertz is easily one of my favorite plug-in designers these days as they make high fidelity audio inspiring. The look and feel of their plug-ins is also easy and refreshing, with flat colors on a white background. There are no knobs to “turn” with a mouse – just simple slider controls that change the percentage of each parameter. —Gus BerryProducer & mix engineer. Writer for TapeOp On the outside it may look like a Volvo, but under the hood it’s a monster truck!! —Michael BrauerMulti-Grammy winning mix engineer (Coldplay, John Mayer, Brazilian Girls, Bob Dylan, David Byrne, Paul McCartney) Your plugins have been my rock. I don’t use anything else if I can get away with it. Megaverb and Lossy in particular go on most tunes. The Vulf Compressor is on every drum bus, many guitars, too many places to mention. It’s a plugin that I use on literally every mix, I love it so so much. Faraday was definitely used on some bass to lock things in place. Trem Control is every panning effect on the album. I love your stuff so much, it’s really a huge part of my sound, and it was definitely a crucial part of this album [Snail Mail’s Lush]! —Jake Aron

Chase Bliss and Goodhertz's Lossy is a pedal that

If you find this behavior unnecessary, deselect this option and no markers will be shown.Enable MeteringBy default, this is On — i.e. in normal operation, all audio meters and visualizations available in Goodhertz plugins are enabled and running. If you’d like to turn them off and disable all metering and visualization, deselect this option. And to turn them back on, simply reselect it. N.B. If you’re struggling to use a large number of Goodhertz plugins on an older processor with an integrated GPU, sometimes disabling metering can help.Enable Scroll InputBy default, all Goodhertz sliders can be scrolled in addition to dragged. If you find this behavior unnecessary, deselect this option and no scrolling events will be used to control Goodhertz sliders.Enable TooltipsBy default, this is On — i.e. all controls will show a tooltip on hover. If you find this behavior unnecessary, deselect this option and no tooltips will be shown.GPU AccelerationBy default, this is Enabled — i.e. the GPU will be prioritized whenever possible to improve graphics performance. If your graphics card does not support GPU acceleration, this preference will be automatically set to Reduced. N.B. If you experience graphics issues, disabling this preference may help.Keyboard FocusBy default, you can get keyboard focus on any Goodhertz control with a single click. Change this option to ensure keyboard focus only occurs on double clicks.Window SizeEnlarge or shrink the Goodhertz plugin window by selecting an option here. This will save your preference for all instances of this plugin.DiagnosticsDisplays general information about the plugin and the configuration of your system for diagnostic purposes. If you experience any issues with the plugin, it can be helpful to include this information when contacting us. N.B. Clicking this window will copy the contents to the clipboard.MIDI LearnConfigure the mapping used to control parameters via MIDI messages. To assign a MIDI number to a control, enable MIDI Learn and send a MIDI message while a control is focused. To remove an assigned mapping, click on a mapping entry in the list or select Clear All to reset the entire mapping. N.B. You can assign different types

Lossy by Goodhertz - Plugins (VST, AU) - Splice

I once asked Bob Clearmountain how he got a certain drum sound. He shrugged. “I just moved the faders until it sounded right.”An unsatisfying answer. Surely there had to be some secret sauce, some special compressor, gate, some unobtainable piece of gear that separated my drum sounds from his. “What about the snare mic?” I asked, thinking it had to have been something vintage and/or German. “SM57, probably,” he replied. Ugh… nothing! I thought.Years later, I fully understood his answer and what is a fundamental truth about mixing: the most important mixing tool is the lowly volume fader. Volume, gain, loudness — whatever you call it, it’s the bedrock of any mix. And even though every DAW has “faders,” sometimes you need something better — something more powerful, more flexible, more helpful…— Devin Kerr, Ghz CEOEnter: Loudness. The Goodhertz plugin for making things louder — and quieter — with confidence & ease.It’s our upgrade to the lowly fader, and it’s part of the Goodhertz Free Series. (Translation: it is now and always will be free!) Getting to know Loudness --> Why is this better than my current DAW volume control or trim plugin?It sounds better.We realize that this might sound like marketing hyperbole: how can any two digital volume controls sound different?! But in a number of measurable ways, most digital volume controls are imperfect and often poorly implemented.A quick example: a simple sine tone faded out with a standard DAW trim plugin vs Goodhertz Loudness:Avid® Pro Tools® Trim Plugin Fade Out ArtifactsGoodhertz LoudnessThe stock trim plugin above is full of tiny digital clicks during the fade out — small discontinuities in the audio — almost like a scratchy potentiometer, but digital. Loudness, on the other hand, is completely clean.Similarly, every DAW we tested caused clicks & pops when automating Mute, Solo, Polarity, or Mono Summing switches — all of which are performed clicklessly in Loudness. With fully 64-bit processing throughout, you can trust that Loudness is the finest volume control available: no clicks, pops, or added distortion — just clean, smooth operation.It has really nice metering.With LUFS, RMS, Peak, & True Peak meters and three different time windows (Momentary, Short, & Long Term), you’ll always know exactly what’s happening in your track (and what’s already happened).Fader rides are quicker & easier because you can easily see where things might need adjustment.The Summary page provides a comprehensive numeric summary of. Demoing Goodhertz Lossy and Wow Control on a Piano SampleLossy -

Lossy by Goodhertz - Spectral Effects Plugin VST

Of MIDI messages including Pitch Bend, Note, and CC messages. Mouse Modifiers ActionCombination (Mac)Combination (Windows)Reset Parameter to Default ValueOption + ClickAlt + ClickMove Control with Coarse PrecisionShift + DragShift + DragMove Control with Fine PrecisionCommand + DragCtrl + DragMove Control with Normal PrecisionDragDrag Automation Unintentional digital clicks and pops are the worst. They happen for lots of reasons and often end up wasting your time with needless revisions or mastering surgery. When they go unnoticed, they can make their way onto commercial albums and releases.Plugin automation is a common cause of clicks and pops. Sweeping an EQ band, changing a delay setting, and even automating a plugin bypass can cause digital artifacts if poorly handled.This is not true for Goodhertz plugins. Any parameter in a Goodhertz plugin, even on/off switches, can be automated freely and smoothly without clicks, pops, or zipper noises (unless otherwise noted). You can push them, pull them, LFO them — whatever you do, they’ll handle it gracefully.Since our Master On/Off controls won’t create artifacts, we recommend that you use them rather than your DAW-supplied plugin bypass if you want to disable plugin processing. Plugin Settings System Requirements Mac OS X ≥ 10.13Audio Unit 64-Bit, VST 64-Bit, VST3 64-Bit, or AAX 64-Bit hostWindows ≥ 10VST 64-Bit, VST3 64-Bit, or AAX 64-Bit host