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Hustlers hollywood victorville new store" data-image-caption="(Hugo C. Valdez, VVNG.com) " data-medium-file=" data-large-file=" (Hugo C. Valdez, VVNG.com) VICTORVILLE, Calif. (VVNG.com) — National retailer and part of the HUSTLER empire built by Larry Flynt, HUSTLER Hollywood announced today that its doors are officially open for business at 15208 Bear Valley Road in Victorville. This location marks the company’s 46th brick-and-mortar store in the U.S. and the 14th store in the state of California, the seventh in the last five years, and the third store opened in California this year for the retail chain, a leader in the sexual health and wellness arena for over two decades. The company has been pursuing an aggressive expansion plan since 2016 and is on track to have 50+ stores open by the end of 2022. hustlers hollywood victorville new store" data-image-caption="" data-medium-file=" data-large-file=" src=" alt="hustlers hollywood victorville new store" srcset=" 1024w, 300w, 768w, 1500w" sizes="(max-width: 1024px) 100vw, 1024px">(Each store is designed to be intimate and sophisticated and offers an upscale consumer experience and unparalleled customer service, making the company stand apart from its peers.)The Victorville location will carry an expansive selection of products that cater to any desire or budget, including lingerie, fashion-forward apparel, accessories, bath and body items, and unique gifts, including games and party supplies for bachelor/bachelorette bridal showers, festivals, and more. “California is a great market for us, and we are excited to open a store in Victorville. The city is growing both in population and industry and is a vital part of the High Desert region—where we have a lot of fans and customers. Victorville has been very welcoming and supportive, and we are excited about being a part of the High Desert community,” said Philip Del Rio, VP of HUSTLER Hollywood.The boutique will hold a celebratory grand-opening event on Saturday, November 5, from 6:00 p.m. – 9:00 p.m., where attendees, while listening to a live DJ, will have the opportunity to mingle, shop, and enjoy desserts and drinks, plus have the chance to win prizes throughout the evening. In addition, one lucky winner will receive a $300.00 in-store shopping spree. The event is free and open to the public. To follow updates to this article and more, join our newsgroup on Facebook with over 175,000 members. Like our Facebook page, and Follow us on Instagram and Twitter.(Scroll Down To Comment)

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Original. Titled THE COLOR OF MONEY (1986), the film was written by Richard Price and produced by Irving Axelrad and Barbara De Fina, who saw in Scorsese an unexpected, yet highly inspired match for their material. THE COLOR OF MONEY was moderately successful in its day, and even earned Paul Newman a long-overdue Oscar. Today, it’s a forgotten work within Scorsese’s canon, eclipsed by far greater films.The legacy of the film itself may not be much to sneeze at, but THE COLOR OF MONEY is important nonetheless for giving Scorsese the strong foothold he needed to launch his career’s second act.Set twenty-five years after the events of THE HUSTLER, THE COLOR OF MONEY finds notorious pool shark Fast Eddie Nelson (Newman) living somewhere outside Chicago. He’s long since given up pool, scraping out a meager living hawking knockoff liquor instead—but he’s not removed from the sport entirely.He grooms promising young men with the hopes they’ll become profitable hustlers like he once was, pocketing a share of their earnings in compensation for his mentorship. In a dive bar in a neglected section of town, Eddie encounters a young hotshot pool player named Vincent Lauria (Tom Cruise).Impressed by his raw talent, he encourages Vincent to quit his dead-end sales job and hit the road with him, where he’ll teach him how to be a true hustler. Thus begins something of a road picture, whereby Eddie, Vincent, and Vincent’s girlfriend/manager Carmen (Mary Elizabeth Mastrantonio) drive down towards Atlantic City, taking every hapless sucker for the contents of their wallet every stop along the way.Eddie and Vincent’s partnership is not without conflict, however—one of Eddie’s key strategies is losing on purpose, a skill that Vincent’s pride and stubbornness rails against. Causing further chafe-age is the possibility that Vincent might actually be a better pool player than the aging Eddie—a possibility that will be put to the test when they go head to head against each other during a large pool tournament in Atlantic City.Scorsese’s history of working with star-name actors is somewhat funny, as we tend to think that he’s always done so. It’s easy to forget that Scorsese helped to discover Robert De Niro and turn him into a major Hollywood player. THE COLOR OF MONEY, made nearly twenty years into his filmmaking career, marks Scorsese’s first time working with a true Hollywood superstar in the form of Paul Newman.Newman is highly effective in his reprisal of one of his most iconic roles, Fast Eddie Nelson. His seasoned, autumnal countenance provides countless layers of depth to what could otherwise be a stock “mentor drawn out of retirement” archetype. Newman’s nuanced performance would result in his first win for Best Actor—a win that many

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Marilyn Monroe, but it serves up cocktails that spotlight the city’s past and present. Bar director Brynn Smith crafts compelling, fun cocktails, such as a Hustler Hollywood lychee martini highball and a Garden of Allah gin and tonic. Those looking for a bite will have to look elsewhere. But even though Bar Next Door doesn’t serve food, it does allow people to bring food in, such as pizza from next door’s Prince Street Pizza. Martini from Bar Next Door in West Hollywood. Caroline Pardilla Located upstairs from the constant party that is Lowboy, Bar Flores boasts views of the Echo Park neighborhood and Sunset Boulevard. It’s a great spot to take in the scenery while enjoying day-friendly cocktails such as the guava mojito and an Aviation with tropical flavors and rainbow sprinkles. The bar concept started as a pop-up series by beverage director Karla Flores-Mercado and now features a mostly female bar team. A tropical cocktail served at Bar Flores in Echo Park. Wonho Frank Lee This unassuming Historic Filipinotown/Echo Park cocktail bar has been racking up accolades since opening in 2019. Thunderbolt has been recognized by StarChefs and even captured the No. 8 spot, up from No. 10 in 2023, on North America’s Best Bars list as well as the Best Bar in the West USA award. Bartender/co-owner Mike Capoferri’s innovative drinks include a HiFi-inspired Old Fashioned with coconut-washed rye, a nonalcoholic lychee daiquiri, and a canned pina colada-inspired soda. There’s even a bottle shop where one can pick

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In the industry dismissed as a life achievement award rather than recognition of his particular performance in the film.Tom Cruise, who of course is now a Hollywood superstar all his own, was cast by Scorsese right before his national profile soared in the wake of Tony Scott’s TOP GUN that same year. Cruise is a natural fit as Vincent Lauria- the untamed, passionate hotshot with an equally untamed bouffant. His pride can’t compensate for his naiveté, making him the perfect foil to Newman’s wizened, humbled old-time pool shark.While the film is framed as a battle of wits and will between these two men, THE COLOR OF MONEY sheds some light on interesting periphery characters, such as Carmen (Mastrantonio), Vincent’s street-smart girlfriend who we come to suspect might just be conning Vincent herself, or Helen Shaver as Jannelle, an aging cocktail waitress and Eddie’s on-again, off-again love interest.Notable characters actors John Turturro and Forest Whitaker make early career appearances in the film as a failed hustler protégé of Eddie’s and a small-time hustler who manages to con Eddie, respectively. Scorsese’s tendency to appear in his own films also manifests here in the form of a voiceover during the opening credits whereby he explains the game of Nine-Ball—a variant on classic pool that the characters play almost exclusively throughout the film.Scorsese reunites with cinematographer Michael Ballhaus to create a look that is, admittedly, not very appealing. The entire 35mm film image is awash in a drab, grey color palette that evokes the cold winters of the Midwest as well as the cigarette haze of cave-like dive bars. Scorsese and Ballhaus counter this unappealing look with delirious camerawork and dynamic compositions.There’s an unrelenting sense of energy, with the camera constantly whip-panning to new tableaus, or screaming forward with a rack zoom onto pool balls scattered around the table. Indeed, Scorsese’s expressionistic rendering of the game of pool (artfully strung together by longtime editor Thelma Schoonmaker) takes a similar approach to the dreamlike boxing sequences in his other big sports film, RAGING BULL.Whereas RAGING BULL tended to emphasize the increasingly diminutive size of boxer Jake La Motta in contrast to his opponent or the ring itself, THE COLOR OF MONEYtakes the opposite approach: distorting the pool balls into titanic spheres tumbling around a tiny arena.The Band frontman and music supervisor Robbie Robertson once again collaborates with Scorsese, generating a bluesy score as well as sourcing an eclectic mix of needledrops like rock, blues, opera, and jazz. The effect is an energy that’s much more breathless and lively than a film about pool could ever reasonably hope to have.Despite THE COLOR OF MONEY ostentatiously being a work-for-hire, Scorsese seizes the opportunity to stamp his distinct

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Only is it bigger in size and scope but its cocktails are created with Los Angeles in mind, using local ingredients. Its fall menu, an ode to the 1990s ‘tini era, features culinary takes on then-popular drinks from kamikaze shots reimagined with kaffir lime gin and calamansi to a Cosmo riff with pepperoncini-infused blanco tequila. Open in Google Maps Foursquare A pretty pink cocktail from Employees Only. Wonho Frank Lee Bar Next Door There aren’t many, if any, OG spots left on the Sunset Strip, which continues to tear down and rebuild iconic establishments (RIP Viper Room). But this standout neighborhood cocktail bar pushes against that by celebrating LA history. Not only has it repurposed the space formerly occupied by the same talent agency that represented Marilyn Monroe, but it serves up cocktails that spotlight the city’s past and present. Bar director Brynn Smith crafts compelling, fun cocktails, such as a Hustler Hollywood lychee martini highball and a Garden of Allah gin and tonic. Those looking for a bite will have to look elsewhere. But even though Bar Next Door doesn’t serve food, it does allow people to bring food in, such as pizza from next door’s Prince Street Pizza. Open in Google Maps Foursquare Martini from Bar Next Door in West Hollywood. Caroline Pardilla Bar Flores Located upstairs from the constant party that is Lowboy, Bar Flores boasts views of the Echo Park neighborhood and Sunset Boulevard. It’s a great spot to take in the scenery while enjoying day-friendly. Hustler Hollywood is an iconic brand that offers a wide selection of adult lifestyle products. From lingerie to sex toys, Hustler Hollywood has something for everyone. With a focus on quality

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[Bridge 1]We are mafia-G's, ay yo, fuck la policeCops are getting riddled on the asphaltWhich bastard wants beef? Ay yo, fuck la policeI shoot cops in their faces, this is hustler music(hustler music, hustler music, hustler music...)[Part 1]Done with battle internet RambosThe most wanted by Interpol: SpongconnectionGo away! The killercommando makes action nowBikini-Bottom-Mafia, international gangsterThe government classified me as a felonThe Criminal Investigation Department searches, investigates with espionage equipmentMeanwhile, we smuggle kilos of grass with the shipsMillions are stacking up to the sky, making millions with snow and grassFuck the police department and the drug squadWe're selling crack in the bag to the homelessCrash your gig and shoot you away from the stageHanging and tagging on trains, checking the green stuff, member with gangattitudeGangster with hoodcredibility, I'm like Sonny Black big boss in the ghettoAll german rappers are informants like this Johnny Depp in „Donnie Brasco“I generate with my client base profitAll the time I'm getting intercepted like our chancellorYo, we throw Molotovs, while you use tear gasKick police faces on the curbstone - skull base fractureA.C.A.B. - Slut, when we shoot bullets out of pumpgunsHere the shitcops even wear masks from paranoiaFuck the police! I deal the stuff, the drug pusher SpongAnd if I want, then cops themselves end up in the witness protection program[Hook]A.C.A.B., we crush shit copsBullet-proof Vests versus headshotsA.C.A.B. - yo, the yellow gangspongeSpongconnection bangs you with the handgunA.C.A.B., A.C.A.B. - fuck the policeA.C.A.B., A.C.A.B. - fuck the policeNow the ghetto gangster SpongeBOZZ pulls the berettasA.C.A.B. - all cops are bastards[Bridge 1]We are mafia-G's, ay yo, fuck la policeCops are getting riddled on the asphaltWhich bastard wants beef? Ay yo, fuck la policeI shoot cops in their faces, this is hustler music(hustler music, hustler music, hustler music...)[Part 2]Aim the MP5 on peopleOutside in the ghettos we have a shoot-out with a few special forces, shooting at FBI agentsLatino drug dealer pushing the indoor plants, bullets to informantsBikini Bottom - you can see ghetto G's dancing the Cripwalk between the corpses of the copsHustler business, street deals, with thirty kilos of cannabisIn the Army Jeep, the AK is my bulletproof alibiArmoured glass in the Hummer, loaded gun in the HummerAnd in the trunk more coke than in an evidence roomIn the reinforced case gunsCivilian cops are shredded by shotgun cartridges in covert operationsI am gangsterboss like Capone, they stare panickily into the pumpgun pipeI killed more bulls/cops than a Spanish matadorTons in the van, tick drugs in underground garagesDeals in streets, yo, we throw bombs into the Police DepartmentFuck la police, out of the handgun cartridges, Hustlermusik, Gs with Gang ambitionBusiness with imprisoned members from Guantanamo Bay, doing business rotationAbout sixty million, locally and globally connectedEast- and Westside occupied, supply the mankind with crackStack money in stacks, planktonweed billionaireVisionary, ammo clip in the gun, yeah[Hook]A.C.A.B., we crush shit copsBullet-proof Vests versus headshotsA.C.A.B. - yo, the yellow gangspongeSpongconnection bangs you with the handgunA.C.A.B., A.C.A.B. - fuck the policeA.C.A.B., A.C.A.B. - fuck the policeNow the ghetto gangster SpongeBOZZ pulls. Hustler Hollywood is an iconic brand that offers a wide selection of adult lifestyle products. From lingerie to sex toys, Hustler Hollywood has something for everyone. With a focus on quality

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In any of the spooky hokum he peddles. That is, of course, until he starts seeing a mysterious black-clad phantom (played by Tim Robbins, randomly) lurking behind his reflection in the mirror. As the intensity of the phantom’s mirror appearances mount, he spirals into terror and insanity. But is the phantom really out to get him, or is it just another product of his overactive imagination?After the goofy opening credits featuring positively prehistoric CGI, “MIRROR, MIRROR” unfolds primarily under the harsh light of day—a curious choice for an otherwise gothic tale that would be right at home among the works of Edgar Allan Poe. Due to the producer-centric model of television at the time, Scorsese doesn’t have as much creative leeway here as he does in his feature work, rendering the story instead with a straightforward, rather unremarkable look. This approach is reinforced by production designer and regular Spielberg collaborator Rick Carter’s set design, which paints Jordan’s suburban house in the hills in a modern, yet sterile white patina that feels more like a museum than a home. “MIRROR, MIRROR” is a fairly anonymous piece of work, bearing almost no evidence of Scorsese’s hand at all except for surface things like the presence of his regular background actor Harry Northup in one scene as a security guard, or the open acknowledgment by the characters of movie culture. The appearance of Robbins’ phantom plays into this, resembling Lon Cheney’s frightening visage in the iconic Universal silent monster film, THE PHANTOM OF THE OPERA (1925). As Scorsese’s first stab at the horror genre, “MIRROR, MIRROR” is a fairly effective chiller, but it doesn’t show a great deal of growth, artistically speaking. However, his participation with the medium of television would recapture the attention of Hollywood executives, who would give him the opportunity to reclaim cinematic glory before the close of the decade.THE COLOR OF MONEY (1986)The modest success of 1985’s independent comedy AFTER HOURS, as well as a detour into episodic television with 1986’s AMAZING STORIES brought director Martin Scorsese back to the attention of Hollywood studio executives following a long rough patch. Scorsese’s career had been flying through severe turbulence since the disappointing reception of 1977’s NEW YORK, NEW YORK, but the surprise success of 1980’s RAGING BULL proved that Scorsese still had untapped brilliance to spare.The same year that Scorsese delivered his AMAZING STORIES episode, he was given another shot at a big time feature, but it wasn’t an original work developed by the director himself. It was a sequel to 1961’s THE HUSTLER, with Hollywood icon Paul Newman attached to reprise his seminal role of Fast Eddie Nelson in a story set a quarter of a century after the