Sense8 camera

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★★★★☆ (4.9 / 1006 reviews)

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Headseats, staring at computers, coaching the action people through action scenes. The centralizing idea was that these people were more complete with each other: Stronger Together, an idea that a majority of voting Americans did actually vote for midway through Sense8's run. A splendid message, though the show's dramatization of that message could translate into: "Together, these eight people are the ultimate action hero." This genre affectation could reduce complex characters to their bare tactical essentials. Capheus (Aml Ameen in season 1, Toby Onwumere ever since) was The Driver. Sun (marvelously deadpan Doona Bae) was the Martial Artist. Will was Good With Guns, whereas Wolfgang was Really Good With Guns. Nomi was the Squad Tech Whiz, Kala the Squad Medic. Riley was, like, a fly DJ. But the show could also make the characters' commonality palpable, celebratory, a party you just couldn't resist. As Lito, a Mexican movie star steadily emerging from his own personal closet, Miguel Ángel Silvestre was always a delight. His very public coming out (on location at São Paulo's Pride Parade!) was a distillation of all the show's best instincts—grand, intimate, glittery, humane. The camera caught its own image on the screens behind Lito: One person revealing the multitudes they contain, and a reflection of the great number of Sense8 viewers who might have had their own coming out story. The Wachowskis experienced their own very public variations of this sequence, having both come out as transgender. So there was passionate resonance running through this global epic. The characters arranged themselves into relationships that despotic politicians still try to declare illegal—but the show always had an old-fashioned love affair with love. In the finale, someone offers up a message that doubles as the Sense8 thesis: "All the differences between us, and all the forces that try to divide us, they will never exceed the power of love to unite us." All are welcome on the polyamorous friend-family sex pile! Dive in! Netflix canceled Sense8 last year mid-cliffhanger. It was rescued by a loud fan response, and now the finale is directed by Lana Wachowski. (Lilly stepped away from the show after season 1). Lana co-wrote the script with David Mitchell and Aleksandar Hemon, two novelists who worked on season 2, and who previously had Wachowski-adjacent professional histories. (Mitchell wrote the novel Cloud Atlas; Hemon delivered a rather praiseful New Yorker profile of the siblings, notable mainly for the implicit assertion that Speed Racer never happened.) Together they've crafted an overstuffed wrap-up story. It's less a final act than a speedrun, compiling what feels like at least three seasons of planned mythology. The Sensates are all together, at last, in Paris, where they're waiting to exchange ruthless

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Whispers for captured Wolfgang. The gang is really all here: Every familiar face gets some kind of check-in or shoutout, fan service that only frustrates when it starts to feel more like lazy repetition. ("Why do I always have to get shot?" asks one character, an old tragedy repeated as a self-referential farce.) For the most part, everyone's all in the same physical space. That means the Sense8 finale mostly ditches the series' most artfully twirling visual technique, where different sensates appear at random in their pals' heads, like visitors from another TV show. What's left is, essentially, a heist movie. Or rather—minor spoiler—two heist movies. What begins in Paris as a prisoner exchange ultimately requires a road trip southward, to glorious Naples, and a final showdown with [specific villain's name redacted]. At the least expected moment, a certain love interest will show up to save the day, and then a different love interest will show up to save another day. Faceless men with guns keep knocking down doors and getting shot by our plucky heroes. For all its generous affectations, this series is violent, man. The last act features a very old-fashioned shoot-out, complete with one very big explosion. What sticks out is the humanity, the little moments that feel much larger. There is a mid-movie road trip punctuated by a high-speed Depeche Mode musical number. There are passionate declarations of love punctuated by the actual Eiffel Tower. At one point, everyone pretends to be tourists, a goofy game of dress-up played for sincere laughs. Lito's boyfriend Hernando (Alfonso Herrera) expresses the just-happy-to-be-here spirit of the ensemble, at one point declaring: "This is literally mindblowing! I can feel my mind, my ideas of self, expanding!" Sense8 really could feel mind-expanding. (A romantic triangle is resolved in the finale in a perfectly Sense8-ish way.) Saying "I'm glad this exists" is a very 2018 cop-out, a positive thought shorn of actual opinion. But when I look back on Sense8, I'm so glad it exists, glad that Lana Wachowski and her collaborators got the chance to wrap up their saga this way. There's not much feeling of danger in this finale; the villains are all still so lame. But that feels besides the point, and you stick around for the dancing, the fireworks, the goodwill towards everyone from everywhere. Credit Sense8 for radical sincerity. It wore eight hearts on its sleeve. Finale Grade: B

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CNN — Mark Withers, an actor known for several high-profile television roles, including gay character Ted Dinard on 1980s-era primetime soap “Dynasty,” has died. He was reportedly 77. The news of his November 22 death was confirmed to Variety on Friday by Withers’ daughter, Jessie Withers, who identified the cause as pancreatic cancer. The elder Withers enjoyed a prolific career in television throughout the ’80s – with appearances in shows including “Matlock,” “Magnum, P.I.,” “The Dukes of Hazzard,” “Dallas” and “L.A. Law” – but again drew attention in 2016 as coroner Gary in Season 1 of hit Netflix show “Stranger Things.” While he also played Coach Locke across eight episodes of daytime soap opera “Days of Our Lives,” Withers is most known for portraying Ted, boyfriend and confidante to Steven Carrington, prized son and heir of the titular family in the first season of “Dynasty,” in 1981. Playing an LGBTQ+ character on a major American TV show was a rare occurrence for an actor in a drama at the time. In 2018, Withers told the “Hollywood and Beyond” podcast that the “Dynasty” creators “were brilliant in pushing the envelope” in portraying an authentic gay relationship without overly adding scandal or humor. He said the relationship with Steven was “30, 40 years ahead of its time.” More recent roles for Withers came in shows such as “Frasier,” “Criminal Minds,” “Sense8,” “Castle” and “Drop Dead Diva.” Jessie Withers, in a statement to Variety, said of her father: “He confronted his illness with the same strength and dignity he brought to his craft, creating a legacy of warmth, humor, and dedication, along with his remarkable ability to make every role unforgettable. Mark’s enduring talent and commitment to the industry will be fondly remembered by colleagues, friends, and fans alike.”. View the profiles of people named Sense8 Camera. Join Facebook to connect with Sense8 Camera and others you may know. Facebook gives people the power to

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It's very difficult to watch Sense8 without a smile on your face. The Netflix series—which returns Friday with a very long conclusion movie—has paradoxical charms. It has been ambitious and silly, cheerful and bloodsoaked, cry-your-eyes-out moving and bloated beyond words. The reunion film aims for an epic finality, a global war for the future fought through a hasty dump of squeezed-in revelations. But its best moments have a tossed-off flair. You feel you're watching the streaming-era version of a "road trip" episode from some half-remembered '90s sitcom, a mythopoetic variation of that time everyone on Saved by the Bell worked at Malibu Sands for the summer. The show began in 2015 with eight people around the world, "sensates" linked together by a kind of non-telepathic telepathy. The concept took forever to develop, with lots of filler reflecting the first wave of Netflix bloat. But there was a wonderful spirit here. The sensates (and their supporting casts) were unilaterally stoked about their new superpower. The tone was ebullient: I've got so many friends now! Our science-fiction trends de facto grim lately, and then here was Sense8 staging a 4 Non Blondes singalong across all inhabited continents. The show was co-created by Lana and Lilly Wachowski, the sibling duo who spent their post-Matrix capital delivering the delightful Speed Racer, the symphonic Cloud Atlas, and the just awful Jupiter Ascending. The disparate narrative of Sense8 most clearly suggested Atlas, though Babylon 5 heads could appreciate the long form-saga influence of co-creator J. Michael Straczynski. A lot of the grander plot elements felt rickety, too conventional. Someone passed around a memo last decade requiring every genre series to have some kind of shadowy conspiracy, and Sense8's was a particular bore, an evil science-y organization fronted by malevolently bearded Whispers (Terrence Mann). Too many elements of the grander narrative felt repetitive, reductive, just kinda dumb. Naveen Andrews kept on popping up with unhelpful advice. Daryl Hannah shot herself in the season premiere, and I swear we saw that suicide in flashback every episode. RELATED VIDEO: Netflix Cancels 'Sense8' But the main cast was energetic, game for anything: fight scenes and love scenes, a dance-a-long at Da Club, dreamy orgies of ecstatic globalism. The story-surfing smoothed over the rough patches. If you didn't feel too invested in the ongoing travails of DJ Riley (Tuppence Middleton) or cop-bae Will (Brian J. Smith), you'd just wait a few minutes to shift back to the mental love affair between ascendant criminal Wolfgang (Max) and innocent betrothed Kala (Tina Desai). I always had so much fun with the lovers-on-the-run duo Nomi (Jamie Clayton) and Neets (Freema Agyeman), even if the show too often turned them into the proverbial People On

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Exploring the realm of best science fiction romance shows is a captivating endeavor, as these series seamlessly blend futuristic settings with heartwarming love stories. These sci-fi TV romances combine elements of speculative fiction with the emotional depth of romantic tales, providing viewers with unforgettable experiences. With unique plotlines and well-developed characters, these shows have the power to transport audiences into fascinating worlds filled with love, adventure, and unparalleled imagination.Delving into the world of the best sci-fi romance shows reveals an array of brilliant series that highlight the extraordinary potential of the science fiction romance genre. Each show on this roster exemplifies what makes sci-fi TV romances so appealing: intricate storylines, enigmatic characters, and enchanting love stories that defy time and space. These exceptional programs provide a mesmerizing fusion of the futuristic and the intimate, capturing the hearts of viewers and solidifying their place among the best of all time.Notable examples of best sci-fi romance shows include The Time Traveler's Wife, Sense8, and The 100. The Time Traveler's Wife explores the complexities of love and relationships when one partner possesses the ability to time travel, presenting a bewitching narrative filled with passion and challenges. Sense8 follows eight strangers from around the world as they become psychically connected, offering an exceptional portrayal of camaraderie, empathy, and romance blended with thrilling science fiction elements. As for The 100, the series centers on a group of survivors navigating a post-apocalyptic Earth, showcasing a gripping tale of hope, sacrifice, and unexpected connections. These dynamic shows are but a few examples of the myriad possibilities within the realm of science fiction romanceAs the curtains close on this exploration of sci-fi romance shows, it becomes abundantly clear that these programs hold a unique place in the hearts of viewers. Their ability to combine imaginative science fiction concepts with deeply moving romantic narratives results in a genre that captivates and enchants audiences. With each exceptional entry into the realm of sci-fi TV romances, the genre further establishes itself as an indispensable and compelling force in the world of television entertainment.

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Mandalorian decides to go in a slightly different direction with Thrawn than what’s been seen before. That’s not to sell Andrews short on his charisma. His role in Sense8 – largely a monologue-centric character – is a walking testament to his ability to softly and subtly command attention. Andrews is a master of doing a lot with a little, conveying powerful emotion through soft speech and minute facial expression. That’s all key for a compelling Thrawn performance, but what he adds to the equation is the vulnerability he brings as a performer. Depending on what role Thrawn will play going forward and how the character is written, Andrews could be the perfect actor to bring some new layers to Thrawn without changing too much. Jason Isaacs When it comes to playing villains, few are as deft as Jason Isaacs. While the star is most famous for playing Lucious Malfoy in the Harry Potter films, his roles on stage and screen are innumerable and make up a truly impressive career. Plus, Isaacs already has experience playing a bad guy in the Star Wars universe, having voiced the Grand Inquisitor in Star Wars: Rebels. Isaacs’s experience as a voice actor on other shows like Avatar: The Last Airbender would serve him well as Thrawn, and he could certainly deliver the admiral’s lines with the appropriate consideration and quiet malice. Isaac’s connection with Lucasfilm also bodes well for a potential turn as Thrawn. Because of the overlap in production staff across different modern

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Randall navigate adulthood in their present-day lives. The show is known for making its fans cry each episode, so with that many characters to fall in love with and care about, we suggest keeping a whole box of tissues by your side each week.Stranger Things Netflix’s original drama Stranger Things is a celebration of the science-fiction films that dominated the 1980s and that includes the time period’s popular trope of featuring an ensemble cast made up of children. The series not only follows the group of childhood friends as they explore the supernatural forces taking over their small Indiana town but also features storylines with their parents as well. Throw in the mystery of a young girl they call Eleven, and you have a sci-fi ensemble that fans instantly fell in love with.Big Bang Theory Sure, Jim Parsons has won four Emmys for his portrayal of Sheldon Cooper on Big Bang Theory, but it’s the cast as a whole that has made this CBS sitcom last for so many seasons. The collection of science-loving nerds and the women that have come into their lives provides enough hijinx for an endless avalanche of episodes, helping the show get to 11 seasons and counting. When the series was recently greenlit for a 12th season, star Kaley Cuoco joked that the sitcom will outlive us all — and at this point she may be right!Sense8 Diehard fans were devastated when Netflix canceled its original series Sense8 after two seasons, and the ensemble cast was a huge reason for all the uproar. The multinational cast members portrayed eight strangers from around the world who became “sensates,” or people who are mentally and emotionally linked. The series set out to explore subjects that are often ignored in science-fiction projects, including politics, sexuality, and religion, and its ensemble cast helped keep people interested in it all.It’s Always Sunny in Philadelphia It may be hard to pick your favorite horrible character on It’s Always Sunny in Philadelphia, but one thing’s for sure — the long-running FX comedy wouldn’t be the same without all of them together. The series had been confirmed for Seasons 13 and 14 before Season 12 even aired last year, and it’s the chemistry between the cast that has helped it survive for so long. The Gang’s questionable antics as they run Paddy’s Pub represent all our most primal, inappropriate instincts and we love. View the profiles of people named Sense8 Camera. Join Facebook to connect with Sense8 Camera and others you may know. Facebook gives people the power to

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"fall on your sword" scene from Serenity should speak for itself: capturing the perfect balance between calm and utterly, disarmingly terrifying in equal measure. Pierce Brosnan Pierce Brosnan has never played Thrawn himself, though he does have a bit of history with the character in a way. In a mural created for Star Wars Celebration 2019, Thrawn is depicted alongside other characters from Rebels. Curiously, that particular rendering of the Empire’s Grand Admiral bore a striking resemblance to Brosnan. If the mural is any indication as to the future of the character, Brosnan could be in the running. Of course, one picture isn’t the only reason he’d make a good Thrawn. The former James Bond has suave to spare, and it would be interesting to channel that captivating energy into someone a bit more sinister. Brosnan’s extensive resume speaks for itself, he has the look and the sound, and he’d bring a superstar-level presence to the already-stacked cast of The Mandalorian. Given his impressive range and body of work, it’s hard to imagine Brosnan’s Thrawn being anything less than exceptional. Naveen Andrews This is a bit more of a wildcard pick, but it could be a perfect one as well. Naveen Andrews is a TV veteran, having played major roles on shows like Instinct, Sense8, and most famously, Lost, where he portrayed Sayid Jarrah for all six seasons. Andrews might not have the same poised intimidation factor as Mikkelsen or Ejiofor, but he would be an excellent choice if The

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On Monkey Man then? Because it’s abundantly clear it was crafted by a passionate and determined artist with a vision. Academy Award winner Jordan Peele (Get Out) produced the movie, which also stars Sharlto Copley (District 9), Pitobash (Million Dollar Arm), Vipin Sharma (Hotel Mumbai), Sikandar Kher (Sense8), Sobhita Dhulipala (The Night Manager), Ashwini Kaleskar (Ek Tha Hero), and Makarand Deshpande (RRR). Monkey Man Release Date April 4, 2024 Runtime 113 minutes Director Dev Patel Writers Dev Patel Cast A recently released ex-felon living in India struggles to adjust to a world of corporate greed and eroding spiritual values. Watch on Peacock New on Hulu 'Brats' Available: Thursday, June 13 Related 'Brats' Review: Andrew McCarthy’s Brat Pack Doc Is More Therapeutic Than Nostalgic Andrew McCarthy reunites with many of his former co-stars in the new documentary that looks into the Hollywood sensation known as "The Brat Pack." Brat Pack member Andrew McCarthy, who appeared in movies such as Pretty in Pink and St. Elmo's Fire, directs the emotional reunion documentary Brats. The new movie finds McCarthy reuniting with the former members of the Brat Pack, including Emilio Estevez, Ally Sheedy, Demi Moore, Rob Lowe, Lea Thompson, and Jon Cryer. Together, the actors and actresses recount their time starring in various coming-of-age movies and how their stardom impacted their lives. In my review for Collider, I wrote: Brats serves as not only an enjoyable walk down memory lane but also something deeper and more self-reflective. Brats Release Date June 13, 2024 Runtime 92 Minutes Director Andrew McCarthy Writers Andrew McCarthy Brats offers an in-depth look at the lives of military children, capturing the complexities of growing up on the move. Through heartfelt interviews and vivid storytelling, the documentary highlights the resilience and adaptability required to navigate frequent relocations. Watch on Hulu. View the profiles of people named Sense8 Camera. Join Facebook to connect with Sense8 Camera and others you may know. Facebook gives people the power to

Sharp AQUOS Sense8 - Camera Setting tips configuration

6,9 Título: Sky Rojo Título original: Sky Rojo Año: 2021 - 2023 3 temporadas 24 episodios Información País: España Cadena:Netflix Idioma: Español Género: Acción Aventura Crimen Estudios: Netflix Fechas de estreno 19 Marzo 2021 Participa Escribir crítica Comparte: 514 de 2.031624 Puntuar serie: (Arrastra la barra y pulsa Votar) Sinopsis 'Sky Rojo', drama de acción creado por Álex Pina ('La casa de papel') y Esther Martínez Lobato ('Vis a vis', 'El embarcadero') para Netflix, plantea su trama en un tercer acto constante que no deja respirar al espectador. Todo el rato están pasando cosas en este thriller de estética Tarantiniana protagonizado por tres prostitutas recién fugadas de un prostíbulo que era más una cárcel que otra cosa. Nada será fácil para estas mujeres que en su huída del club 'Las novias' no dejan títere con cabeza, hiriendo gravemente a Romeo, el proxeneta encargado, hasta dejarle con medio cuerpo paralizado. Comienza entonces una fuga por carretera que las lleva a un callejón sin salida: no pueden ir a la policía porque cuentan con varios crímenes a sus espaldas, pero los sicarios del proxeneta se encuentran buscándolas y la persecución no parece tener fin. Las protagonistas tienen que escoger entonces entre seguir huyendo de por vida o enfrentarse cara a cara con sus perseguidores. La serie está protagonizada por un elenco de primer nivel en el que se incluyen actores nacionales e internacionales de la talla de: Verónica Sánchez ('El embarcadero'), Yany Prado ('La reina soy yo'), Lali Espósito ('Casi ángeles'), Miguel Ángel Silvestre ('Sense8'), Asier Etxeandia ('Dolor y gloria') y Enric Auquer ('Quien a hierro mata'). Esta propuesta, que desarrolla todo su argumento sobre una acción incesante, planteada en capítulos de 25 minutos de duración, está dirigida por Eduardo Chapero-Jackson y Javier Quintas. Reparto Vídeos y tráilers Noticias ENTREVISTA ECARTELERA Lali Espósito: "Quiero volver a trabajar en España" Entrevista a Lali Espósito, la actriz y cantante fue la presentadora de la IX edición de los Premios Platino. La actriz ha hablado de su nueva gira, Disciplina Tour, así como de seguir trabajando en España. 8 de mayo 2022 Fotos Películas y series similares a Sky Rojo 2021 - 2023 8,1 Loki

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Headseats, staring at computers, coaching the action people through action scenes. The centralizing idea was that these people were more complete with each other: Stronger Together, an idea that a majority of voting Americans did actually vote for midway through Sense8's run. A splendid message, though the show's dramatization of that message could translate into: "Together, these eight people are the ultimate action hero." This genre affectation could reduce complex characters to their bare tactical essentials. Capheus (Aml Ameen in season 1, Toby Onwumere ever since) was The Driver. Sun (marvelously deadpan Doona Bae) was the Martial Artist. Will was Good With Guns, whereas Wolfgang was Really Good With Guns. Nomi was the Squad Tech Whiz, Kala the Squad Medic. Riley was, like, a fly DJ. But the show could also make the characters' commonality palpable, celebratory, a party you just couldn't resist. As Lito, a Mexican movie star steadily emerging from his own personal closet, Miguel Ángel Silvestre was always a delight. His very public coming out (on location at São Paulo's Pride Parade!) was a distillation of all the show's best instincts—grand, intimate, glittery, humane. The camera caught its own image on the screens behind Lito: One person revealing the multitudes they contain, and a reflection of the great number of Sense8 viewers who might have had their own coming out story. The Wachowskis experienced their own very public variations of this sequence, having both come out as transgender. So there was passionate resonance running through this global epic. The characters arranged themselves into relationships that despotic politicians still try to declare illegal—but the show always had an old-fashioned love affair with love. In the finale, someone offers up a message that doubles as the Sense8 thesis: "All the differences between us, and all the forces that try to divide us, they will never exceed the power of love to unite us." All are welcome on the polyamorous friend-family sex pile! Dive in! Netflix canceled Sense8 last year mid-cliffhanger. It was rescued by a loud fan response, and now the finale is directed by Lana Wachowski. (Lilly stepped away from the show after season 1). Lana co-wrote the script with David Mitchell and Aleksandar Hemon, two novelists who worked on season 2, and who previously had Wachowski-adjacent professional histories. (Mitchell wrote the novel Cloud Atlas; Hemon delivered a rather praiseful New Yorker profile of the siblings, notable mainly for the implicit assertion that Speed Racer never happened.) Together they've crafted an overstuffed wrap-up story. It's less a final act than a speedrun, compiling what feels like at least three seasons of planned mythology. The Sensates are all together, at last, in Paris, where they're waiting to exchange ruthless

2025-04-03
User5553

Whispers for captured Wolfgang. The gang is really all here: Every familiar face gets some kind of check-in or shoutout, fan service that only frustrates when it starts to feel more like lazy repetition. ("Why do I always have to get shot?" asks one character, an old tragedy repeated as a self-referential farce.) For the most part, everyone's all in the same physical space. That means the Sense8 finale mostly ditches the series' most artfully twirling visual technique, where different sensates appear at random in their pals' heads, like visitors from another TV show. What's left is, essentially, a heist movie. Or rather—minor spoiler—two heist movies. What begins in Paris as a prisoner exchange ultimately requires a road trip southward, to glorious Naples, and a final showdown with [specific villain's name redacted]. At the least expected moment, a certain love interest will show up to save the day, and then a different love interest will show up to save another day. Faceless men with guns keep knocking down doors and getting shot by our plucky heroes. For all its generous affectations, this series is violent, man. The last act features a very old-fashioned shoot-out, complete with one very big explosion. What sticks out is the humanity, the little moments that feel much larger. There is a mid-movie road trip punctuated by a high-speed Depeche Mode musical number. There are passionate declarations of love punctuated by the actual Eiffel Tower. At one point, everyone pretends to be tourists, a goofy game of dress-up played for sincere laughs. Lito's boyfriend Hernando (Alfonso Herrera) expresses the just-happy-to-be-here spirit of the ensemble, at one point declaring: "This is literally mindblowing! I can feel my mind, my ideas of self, expanding!" Sense8 really could feel mind-expanding. (A romantic triangle is resolved in the finale in a perfectly Sense8-ish way.) Saying "I'm glad this exists" is a very 2018 cop-out, a positive thought shorn of actual opinion. But when I look back on Sense8, I'm so glad it exists, glad that Lana Wachowski and her collaborators got the chance to wrap up their saga this way. There's not much feeling of danger in this finale; the villains are all still so lame. But that feels besides the point, and you stick around for the dancing, the fireworks, the goodwill towards everyone from everywhere. Credit Sense8 for radical sincerity. It wore eight hearts on its sleeve. Finale Grade: B

2025-03-31
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It's very difficult to watch Sense8 without a smile on your face. The Netflix series—which returns Friday with a very long conclusion movie—has paradoxical charms. It has been ambitious and silly, cheerful and bloodsoaked, cry-your-eyes-out moving and bloated beyond words. The reunion film aims for an epic finality, a global war for the future fought through a hasty dump of squeezed-in revelations. But its best moments have a tossed-off flair. You feel you're watching the streaming-era version of a "road trip" episode from some half-remembered '90s sitcom, a mythopoetic variation of that time everyone on Saved by the Bell worked at Malibu Sands for the summer. The show began in 2015 with eight people around the world, "sensates" linked together by a kind of non-telepathic telepathy. The concept took forever to develop, with lots of filler reflecting the first wave of Netflix bloat. But there was a wonderful spirit here. The sensates (and their supporting casts) were unilaterally stoked about their new superpower. The tone was ebullient: I've got so many friends now! Our science-fiction trends de facto grim lately, and then here was Sense8 staging a 4 Non Blondes singalong across all inhabited continents. The show was co-created by Lana and Lilly Wachowski, the sibling duo who spent their post-Matrix capital delivering the delightful Speed Racer, the symphonic Cloud Atlas, and the just awful Jupiter Ascending. The disparate narrative of Sense8 most clearly suggested Atlas, though Babylon 5 heads could appreciate the long form-saga influence of co-creator J. Michael Straczynski. A lot of the grander plot elements felt rickety, too conventional. Someone passed around a memo last decade requiring every genre series to have some kind of shadowy conspiracy, and Sense8's was a particular bore, an evil science-y organization fronted by malevolently bearded Whispers (Terrence Mann). Too many elements of the grander narrative felt repetitive, reductive, just kinda dumb. Naveen Andrews kept on popping up with unhelpful advice. Daryl Hannah shot herself in the season premiere, and I swear we saw that suicide in flashback every episode. RELATED VIDEO: Netflix Cancels 'Sense8' But the main cast was energetic, game for anything: fight scenes and love scenes, a dance-a-long at Da Club, dreamy orgies of ecstatic globalism. The story-surfing smoothed over the rough patches. If you didn't feel too invested in the ongoing travails of DJ Riley (Tuppence Middleton) or cop-bae Will (Brian J. Smith), you'd just wait a few minutes to shift back to the mental love affair between ascendant criminal Wolfgang (Max) and innocent betrothed Kala (Tina Desai). I always had so much fun with the lovers-on-the-run duo Nomi (Jamie Clayton) and Neets (Freema Agyeman), even if the show too often turned them into the proverbial People On

2025-03-26

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