Sound filter

You're currently on: Product DescriptionWe Also RecommendPunchy Sound EnergizerFilter MS-20 is a stereo filter and distortion effect modeled on the infamously abrasive MS-20 synthesizer. Pump destructive crunch, roaring filter sweeps, and ultra-fat stereo depth into your mixes with an audio plugin that’ll make anything sound massive.Make anything sound massiveTurn any sound into huge, colorful, unstoppable textures and timbres that’ll give your DAW production the edge you’ve been looking for.Filter MS-20 extracts the sonic character from an iconic instrument, distilling and enhancing it into a go-to effect for creative mixing and radical sound exploration.Punchy filter, edgy distortionFrom soft rubbery bass to howling resonant sweeps, subtle fuzz to outright destruction, sculpt your sounds with the grainy filter sweeps, crushing bass, and abrasive distortion that put Filter MS-20’s namesake synth on the map, courtesy of our TAE® technology.Push it furtherSet Filter MS-20 loose into your mix and savor wild, exciting results. Modulate and animate its virtual circuitry, reroute its filter and distortion sections, and explode the stereo width of any sound with an array of enhanced modern features.Simple to useFire up Filter MS-20 and enjoy its gritty, addictive sound immediately with a knob-per-function interface, macro-style controls for quick sweeping changes to your mix, and deep sound design controls just a click away.Your mix, your styleWith a sound ranging from warm to mean in a flash, this is a filter that you can count on to bring heaps of character and crunchy fatness to any style of project. It’s famous for French house, industrial metal, techno, and beyond - you decide what’s next.The soul of a monolithIn the ‘70s, analog synthesizers reigned supreme.Rich in their sound, powerful in their versatility, playful in their design, these instruments all but defined popular music of the time. But in 1978, a menacing semi-modular black box appeared on the horizon that changed the face of analog.Aggressive and mysterious in equal measure, the heart of the MS-20's sound was a powerful filter and external signal processing module that handled both bark and bite. Filter MS-20 deconstructs these modules and rebuilds them as an effect enhanced for modern production.Filter MS-20: a closer lookWhen your sound needs some extra bite or boost, get hands-on with an enhanced classic filter that’ll deliver the goods, and then some.With 3 simple tabs, discover 3 intuitive modulation sources that can be assigned to any parameter with a single click - propelling Filter MS-20 to maximum sonic velocity.Artists CornerAndreas KleerupProducerThe sequencer is awesome. If I had to choose one filter to knob-twiddle it would be this one´s low pass filter. Classic. Arturias MS-20 V is the perfect example to showcase how good it gets when technology actually works for us.INVTProducerThe ms20 has great creative filtering automation

Open Text Capture File" menu opens a capture-file for received symbols. Then new received symbols are being written into that file. If the file exist, new symbols are appended to it.The "File > Close Text Capture File" command closes a capture-file. Capture-file state is shown in the status line. The hotkey for capture on/off commands is Alt-L.If the "Setup > Text > Put time marks to a capture File" option is selected, time marks are placed to this file with interval about one minute.If the "Setup > Text > Use UTC Time" option is selected, UTC time is used in these marks, in another case local time is used. The "File > Open Wave Capture File" command opens wave-file to save all received from soundcard sound. File is closed by the "File > Close Wave Capture File" command. The hotkey for these commands is Alt-V. Take to attention that a minute of sound recording need above 1 MByte disk space.The "Filters > Main Filter" menu selects signal filter bandwidth. Wider filter bandwidth is appropriate for more speed keying. There are two sets of FIR and IIR filters. FIR filters work slightly better then IIR filters usually, but FIR filters need much more processor time. So you can prefer IIR filters in case of not very fast computer.The "Filters > Burst Filter" menu selects the burst filter maximal speed. The burst filter is a filter against short noise bursts. When program is detected signal presence, signal length is compares with a threshold. When signal is shorter then a threshold, it is ignored. Burst filter with "100 LPM" setup means that a threshold is about one half of "dot" length at 100 LPM (20 WPM).You can use CwGet as narrow-band sound DSP-filter also. So CwGet can help you to decode Morse code "by ears". The bandwidth of a sound filter is selected by the "Filters > Sound Output" menu. A soundcard used for this DSP-filter output is defined by "Setup > Interface > Output soundcard number" menu. If your sound card supports a full-duplex mode, the same card can be used for sound input and output simultaneously. The "Ctrl-F" hotkey is used to switch sound on and off.CwGet can decode signals from sound file (WAVE-file) also. A desired file is selected by the "File > Decode From File" command. WAVE-file must be Windows PCM file, without compression. Preferred file parameters are mono, 16 bit, 11025 Hz.CwGet has one minute sound buffer. "Replay" and "Save" buttons are used to control this buffer.The "Replay" button click makes CwType to replay previous 10 seconds of received signal.The "Save" button writes previous 60 seconds of a sound to a wave file in the "Waves" directory.This wave

Self-oscillation at high peak settings, just like vintage filters.SugarBytes WOW2WOW2 is an impressive collection of 21 filter types in a single plugin. All of them aim to reproduce classic analog sound in hi-def digital resolution, free from aliasing and artifacts. It’s plenty more than just that, though, and has a talkbox, a modulation section, different types of distortion, and more.Waves MetaFilterMetaFilter is Waves’s version of an old-school analog filter. Designed around a multimode filter with extensive modulation options, Waves MetaFilter has everything you need in a sound-shaping filter plugin. The versatile MetaFilter creative effects unit provides all the warmth, depth, and fatness of classic analog filters, along with the modern control and flexibility.Native Instruments DriverDriver by NI is a creative distortion and filter tool. It’s ready for anything from moderate saturation to full-blown distorted chaos, while the filter section delivers everything from smooth and subtle to harmonically rich. Driver operates similarly to how the filter section on a synthesizer would, which makes it great for creative effects.Cableguys FilterShaper 3FilterShaper 3 by Cableguys is a powerful plugin for sound design. It all starts with two flexible filters and fully customizable modulation curves to create complex, interweaving effects, or even just some subtle nuances to add richness or depth to an instrument.UVI ShadeUVI considers Shade a “next-gen Swiss Army knife filtering tool, designed to shatter the boundaries of conventional EQ, filtering, and modulation effects.” Shade contains 35 filter shapes and 10 modulators, all of them combinable in a semi-modular, intuitive environment. It can be a simple EQ/filter or an ultra-creative sound design plugin all-in-one.Arturia SEM-FilterWith Arturia’s SEM-Filter, you can load up a classic synthesizer filter section right in your DAW. Arturia’s emulations are extremely detailed, right down to the components that make up the device. Now you can have Tom Oberheim’s famous SEM filter use it on any signal or sound source you’re mixing.SoundSpot Fat 2Fat 2 is a really cool creative filter plugin that includes 20 custom-designed filters and 23 presets. Each of the included filters mimics odd/even harmonics from saturation by using a resonant peak series. This is a great