Stereo mass

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Audio Controls VolumeHigh Frequency (±6 dB, center 10 kHz, continuously variable)Low Frequency (±6 dB, center 100 Hz, continuously variable) Cabinet Material Vinyl-Laminated, Medium-Density Fiberboard HF Transducers 1” Ultra Low Mass, Silk Dome Tweeter LF Transducers 5.25" Woven Glass Fiber Composite Monitor Inputs Bluetooth® 5.0, One - Stereo 1/8", Two - Balanced 1/4” TRS, Two - Unbalanced RCA Monitor Type 2-Way Active Power Amplifier Type Class D Product Depth 7.9” (20 cm) Product Height 10.3" (26.16 cm) Product Width 7" (17.8 cm) Protections RF InterferenceOutput-Current LimitingOver-TemperatureTurn-On/Off TransientSubsonic Filter Peak SPL 104 dB (@ 1 meter) Crossover Frequency 3.3 kHz Compare Looking for the perfect studio monitor? PreSonus has options for all room sizes and budgets. Compare Looking for the perfect studio monitor? PreSonus has options for all room sizes and budgets. Eris® 4.5BT 2nd Gen (Pair) $179.99 Eris® 5BT 2nd Gen (Pair) $230.99 HF Transducers 1” Ultra Low Mass, Silk Dome Tweeter 1” Ultra Low Mass, Silk Dome Tweeter LF Transducers 4.5" Woven Glass Fiber Composite 5.25" Woven Glass Fiber Composite Monitor Inputs Bluetooth® 5.0, 1- Stereo 1/8", 2- Balanced 1/4” TRS, 2- Unbalanced RCA Bluetooth® 5.0, One - Stereo 1/8", Two - Balanced 1/4” TRS, Two - Unbalanced RCA Frequency Response Peak SPL 100 dB (@ 1 meter) 104 dB (@ 1 meter) Crossover Frequency 2.8 kHz 3.3 kHz 3.3 kHz Power Amplifier Type Class AB Class D Product Height 9.5" (24 cm) 10.3" (26.16 cm) Product Width 6.4" (16.3 cm) 7" (17.8 cm) HF Transducers 1” Ultra Low Mass, Silk Dome Tweeter 1” Ultra Low Mass, Silk Dome Tweeter LF Transducers 4.5" Woven Glass Fiber Composite 5.25" Woven Glass Fiber Composite Monitor Inputs Bluetooth® 5.0, 1- Stereo 1/8", 2- Balanced 1/4” TRS, 2- Unbalanced RCA Bluetooth® 5.0, One - Stereo 1/8", Two - Balanced 1/4” TRS, Two - Unbalanced

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Ultra-low mass, silk-dome, high-frequency driverFast, reliable stereo Bluetooth® 5.0 wireless input100W, Class D dual amplification55 Hz to 20 kHz frequency response104 dB SPL (Peak, @ 1 meter)High- and low-frequency Acoustic Tuning controlsBalanced, ¼-inch TRS inputs; unbalanced, ⅛-inch stereo and RCA inputs; and integrated stereo headphone amplifier with front-panel ⅛-inch outputProtection: RF interference, output-current limiting, over-temperature, turn-on/off transient, subsonic filterPower Saver mode (engages after 40 minutes)Comes with speaker wire, ⅛-inch TRS to stereo RCA cable, and stereo ⅛-inch TRS to ⅛-inch TRS cable Owner's Manual - Eris Series (English) 2-Year Limited Non-Transferable Warranty (Multilingual) A Brief Tutorial On Studio Monitors - English Quick Start Guide (Multilingual) Highlights Versatile connectivity. PreSonus® Eris® 5BTs connect wirelessly using Bluetooth® 5.0 or via a wired connection to virtually any line-level audio source, using rear-panel ¼-inch TRS and RCA inputs and a front-panel, ⅛-inch stereo line input. You also get a convenient (and loud!) front-panel, ⅛-inch stereo headphone jack; connecting headphones mutes the speakers. Built to match your room. Unlike other home audio speakers that hype the bass at the expense of other frequencies, Eris® speakers provide an even response throughout the frequency range, from bass to treble. This means you’ll hear your favorite music exactly as artists and engineers intend it to be heard. High and Low Acoustic Tuning controls let you dial in the Eris 5BTs precisely to your environment to further ensure the best sound possible. Honest. Expressive. Powerful. Like all PreSonus media reference monitors, the Eris® 5BT offers consistent, accurate listening. Their stylish design makes them a welcome addition to living rooms, compact home theater setups, and gaming rigs, and their smooth and even frequency response ensures that your music — and everyone else’s — will sound incredible. Bluetooth Bluetooth® V5.0 VoltageRequirements 100-240 VAC, 50-60 Hz Product Name Eris® 5BT, Black, NA

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Global ModeratorH/PC OraclePosts:12,724Location:Southern CaliforniaStatus:I recently picked up another CE 5.0 personal media player running on the Alchemy Au1250 MIPS processor: Cowon's P5 Study. Like the Viliv X5, it's pretty fast, with very good sound from the built-in stereo speakers. With 80 GB, it has even more storage space than the Viliv. Unlike the Viliv, it has an FM radio tuner; however, so far I can't pick up anything but static on it, and there's no visible external antenna (unlike the Viliv, which has one despite having no FM tuner that I can find an app for). The startup queue in HKEY_LOCAL_MACHINE/init boots it into explorer.exe before opening Cowon's own customizable interface for opening its multimedia and other apps. I removed the values for the custom interface so that it stays in the Windows CE desktop (there's a desktop icon to launch the Cowon interface if I still want to, and a "Windows" link back to the CE desktop in the custom interface). Everything appears to stay put after reboot. Two other big differences from the Viliv: 1) Connecting the USB client port to my PC opens the P5 as a mass storage device by default, and I can't find any settings anywhere that allow it to be set for ActiveSync connection, even though repllog.exe exists in \Windows as well as the "PC Connection" Control Panel applet. Like my MintPad, though, it is recognized in another CE device as a mass storage device as well when connected to it by USB. 2) While it lacks internal WiFi like the Viliv, it also doesn't support the Ralink RT2870-based USB WiFi dongle (which as I've previously posted does work in the Viliv). There's a driver file in \Windows called RT2501USB.dll, but I haven't found an RT2501-based USB dongle anywhere on the Web so far (though one clearly exists since the driver files are available on several Web pages). Overall, a pretty nice device, though, like the Viliv. Specs are here: H/PC SenseiPosts:1,171Location:RussiaStatus:QuoteCE Geek - 2013-10-02 9:40 AM 1) Connecting the USB client port to my PC opens the P5 as a mass storage device by default, and I can't find any settings anywhere that allow it to be set for ActiveSync connection, even though repllog.exe exists in \Windows as well as the "PC Connection" Control Panel applet. Like my MintPad, though, it is recognized in another CE device as a mass storage device as well when connected to it by USB. Pic related.(Screen004.png)Attachments---------------- Screen004.png (13KB - 2 downloads) Global ModeratorH/PC OraclePosts:12,724Location:Southern CaliforniaStatus:Changing the default client driver to Serial_Class does allow an ActiveSync connection, but cefobj.dll is missing from \Windows on the device, so ActiveSync on the PC doesn't show anything under "Information Type". Stereo Mass Screenshots. Old Versions of Stereo Mass. Stereo Mass .1 MB . Download. Remove ads with APKPure Premium. Stereo Mass Alternative. Radio

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KHz +/- 0.5 dB re 1 kHz @ 192 kHz sample rate THD + Noise 0.005% max (@1kHz, 22-22 kHz BW, gain=20 dB, -10 dBu in) ADC32 bit precision; 142 dB dynamic range min (A-weighted, gain=10 dB, fader=0 dB) Equivalent Input Noise -130 dBV (-128 dBu) max (A-weighting, gain=76 dB, 150 ohm source impedance) Inputs Mic: XLR active-balanced; 4k inputLine: XLR active-balanced; 4k inputAux/Mic in: 3.5 mm TRS, 2-channel unbalanced; 2.2kLine: ¼-inch TRS active-balanced; 4k inputUSB Audio: 4 channels10 Total analog inputs: 8 mic-line inputs, 2 on Aux InAll inputs fully RF-filtered and overload protected. Gain Mic input: +6 dB to +76 dBLine input: -20 dB to +30 dBFader: -inf to +20 dBHeadphone: -inf to +20 dBTotal, Mic-to-recording (max): +96 dBAux In (Mic): Gain = +10 dB to +40 dBAux In (Line): Gain = -10 dB to +20 dBTotal Aux Gain including Fader (Mic-to-recording): +60 dB Maximum Input Level Mic XLR: +14 dBu (limiters on or off)Line XLR/¼-inch: +28 dBu (limiters on or off)Aux In (Mic): -10 dBuAux In (Line): +10 dBu Low Cut Filters 40 Hz to 160 Hz (adjustable), 18 dB/oct. First stage analog, subsequent stages digital. Microphone Powering Mic XLRs: 48 V via 6.8k resistors, 10 mA eachMic 3.5 mm: 3 V @ 3k source Limiters Limiter at all gain stages, range > 40 dB. First stage analog, subsequent stages digital. Adjustable Threshold, Ratio, and Release. Audio OutputsDAC feeding Stereo Out, Headphone Out 32 bit precision; 115 dB dynamic range (A-weighted) L/R Out TA3 2-channel balanced, 1.1K max output impedance, +18 dBu max output level X1/X2 Out 3.5 mm TRS stereo unbalanced, 500 ohm output impedance, +7.8 dBu max output level Headphones Out 3.5 mm TRS stereo unbalanced, 300 mW + 300 mW, for use with any impedance headphones USBAudio Interface (USB-C): 12-in/4-out; 44.1 to 96 kHz; 16/24/32-bit integer, 32-bit float; Class-compliant USB 2.0 high speed or ASIO® driver (supplied via download)Mass Storage (USB-C): USB 2.0 high speedKeyboard (USB-A): Text entry and controlThumbdrive (USB-A): Manual or auto-copy to driveMidi Control Surface (USB-A)RecordingMaximum Record Tracks 12 Tracks: Stereo mix + 10 ISOs Sampling Frequency 44.1 kHz47.952 kHz48 kHz48.048

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Use the form of the novel”. It is one of the most prosecuted and banned books in history.An illustration to Fanny Hill by Édouard-Henri Avril.The First Erotic PhotosThe first true photography was invented in 1839, and yet by the 1850’s there was already a roaring trade in erotic photos throughout Europe and America. The necessity of long exposure times in these early days meant that hardcore porn had to wait, but erotica thrived, at first under the guise of ‘artistic nudes’, but soon as a more openly ‘vulgar’ display of genitalia. It is believed that most of the early photography studios that bloomed in the 1850s and 60s made much of their income through the illicit trade in such pornographic images.Two Standing Female Nudes – Early nude photogaph ca.1850 by Felix Jacques Antoine Moulin1850s erotic daguerreotype – Nude with a MirrorAccording to the Met Museum who own the above photo :Censors have long struggled to keep pace with evolving technology and expanding distribution networks of photographic erotica. In nineteenth-century France, government officials regularly seized thousands of photographs similar to the daguerreotype displayed here, which were deemed lewd.3D Stereoscopic Porn Invented in the 1850s!Somewhat incredibly, not only was the first mass consumer porn industry in existance within a decade or so of the very first ever photograph taken, but 3D porn was a thriving market by the 1850s as well! Stereoscopy was invented in 1838, just a year before photography, so it was inevitable that the two would come together, with stereoscopic erotic images quickly proving especially popular. Only 800 or so of these images survive, but here are several of them below.early erotic stereo daguerreotype – Collection Copyright Matthew R IsenburgSee more of these erotic stereo nudes

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Introduction to Mastering: The Final Touch in Music Production Mastering is the alchemy that transforms a mix into a final product — the bridge between creation and consumption. It’s an art form where technical precision meets nuanced artistry, ensuring that a piece of music sounds its best on any system, anywhere. Historically, mastering was the final check before mass-producing vinyl records, but today it's a critical step in digital music distribution, offering the last chance to optimize and unify sound for global audiences. But mastering is not mixing rehashed. While mixing balances the elements within a song, mastering fine-tunes this balance and brings uniformity to an entire album. It's about achieving the right loudness without sacrificing dynamics, enhancing stereo width without losing focus, and striking the perfect EQ balance for a consistent playback experience. In a world where music is consumed on a myriad of devices, from high-end sound systems to smartphone speakers, mastering is your music's passport to clarity, relevance, and resonance. Let's unpack this pivotal process, guiding you through loudness, dynamics, stereo width, EQ balance, and the basic mastering signal chain — essential knowledge for the modern music producer.Mastering vs. Mixing — The Defining Line If you're a music producer, understanding the line that separates mastering from mixing is pivotal. Here’s the lowdown: Mixing is like assembling the pieces of a puzzle to see the full picture, while mastering is like putting a frame around that picture to display it. Mixing: The Art of Balance Mixing is your creative playground. It’s where you balance levels, pan audio, apply effects, and sculpt the sound to create the final mix. A mix engineer focuses on the minutiae — the relationship between the kick and bass, the reverb on a snare, the EQ on a vocal. Each track has its place, and it's the mixer's job to ensure they all play nicely together. Actionable tip: Use reference tracks to guide your mix. A/B your work with tracks you admire to benchmark your sound. Mastering: The Science of Polish Mastering takes a macro view. A mastering engineer steps in after the mix is complete, acting as a fresh set of ears. They apply broad strokes, using EQ, compression, limiting, and stereo enhancement to create a cohesive sound across an entire album or single. Their goal? Ensure that your music translates well whether it’s played on a club system, car stereo, or earbuds. Actionable tip: Before you start mastering, take a break after mixing. Fresh ears will give you a new perspective on what the track truly needs.The Goals of Mastering — Perfecting Your Sonic Signature Mastering isn't just about making music loud; it's about making it lively. It’s where technicality and creativity collide to serve a multitude of goals, ensuring that your track isn’t just heard — it's felt. Clarity and Cohesion The first goal of mastering is to bring out the clarity and ensure cohesion. Whether you’re polishing a single or an entire album, each track should sound crisp and part

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(you could hear a relay clicking inside) switching mode just about every second.Rebooting the computer and switching off the Kiko was required to stop this, but a new attempt at forming a connection led to no sound, alongside the same behaviour. I was using the latest version (4.3.3) of Songcast. In the end I found an older Windows 7 notebook, and with this it seemed to work nicely.SOUNDAll that was somewhat of a pity because when I did stream music to the unit, it sounded very nice – apart from one significant deficiency. The unit supports streamed FLAC, WAV, Apple Lossless, MP3, WMA (except lossless), AIFF, AAC and OGG, where appropriate with a resolution audio of up to 24 bit 192kHz. Given Linn’s stereo roots, it perhaps shouldn’t be surprising that the upper bass, mid-frequencies and treble was beautiful, with a clean and highly dynamic delivery. The detail was excellent, as was the stereo imaging.The use of separate feeds of up to 33W each to the tweeter and bass/midrange in each of the speakers may have been an aid to this performance.But the bass – deep bass, of course, but also the mid bass – was definitely disappointing. There was some hint of it in the upper bass, which certainly provided enough of the rhythmic content to ensure first class musicality. But without the underpinning of significant deeper bass, the sound was ultimately light weight.This is important because whatever the sound of this system is, you’re stuck with it. There is no subwoofer output, so really no chance to improve this aspect of performance.CONCLUSIONThere are some other omissions, too. No USB for example means that you can’t play directly from mass storage. And at this price the lack of WiFi seems surprising.Still, if you aren’t that interested in bass, would. Stereo Mass Screenshots. Old Versions of Stereo Mass. Stereo Mass .1 MB . Download. Remove ads with APKPure Premium. Stereo Mass Alternative. Radio Lo Mass Nuevo en Stereo Mass Lo Mass Nuevo en Stereo Mass 🎶

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AckMediaPlayerAuthenticationInfo Command Direction: accessory→media player The accessory sends this command to the media player in response to RetMediaPlayerAuthenticationInfo command. It indicates the current state of the media player information version. If the accessory sends a non-zero status, it indicates that it will not be able to authenticate the media player due to a protocol version or authentication index mismatch. NotifyMediaPlayerStateChange Command Direction: media player→accessory The media player sends this notification command when the media player state is about to change to accessories that identify using IdentifyAccessoryLingoes command. If the accessory identifies using Identify command, this notification is not sent. The state change byte indicates the specific media player state transition. If the media player is switching from a power on state to a light sleep state, accessories must immediately reduce their power consumption below the maximum current such as 5 mA. When the media player has transitioned to a deep sleep or hibernate state, self-powered accessories are expected to automatically re-identify themselves when accessory power is restored. Microphone Lingo Command The microphone lingo enables combination microphone and speaker accessory devices to record and playback audio. Media player mass storage disk capacities enable the option of supporting a stereo input mode and higher audio sample rates. Media players may therefore be used for high-quality mobile audio recording. When the media player detects a device speaking the microphone lingo, it may transition into a recorder application where it can create and manage recordings. Based on the microphone device capabilities, the media player recording application may choose to change its appearance based on the presence or absence of certain microphone features. The device should indicate its capabilities to the media player on request. These capabilities may include: Stereo line input source Stereo/mono control Recording level control Recording level limiter Microphone accessories can draw power from the media player or supply power to the media player. Accessory device power management is important as media players transition to a smaller physical size at the same time as trying to extend battery life. As an accessory using the microphone lingo, the microphone accessory will be notified of media player state changes, such as transitioning to the power on, light sleep, hibernate, and deep sleep states. Accessory power is in low mode by default and is raised to high power mode only during recording and playback states. The microphone accessory is responsible for keeping the power consumption

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SpeakersShopNew Model SpeakersLegacy Parts & ServiceOutlet StoreSpeaker FilterCustom FormSupportLegacy Parts & ServiceOrder Process120 Day TrialDownloads & ManualsWarrantyAboutOverviewTechnologyReviewsNewsContactThe Legendary Ohm Walsh"To my ears the Ohm Walsh speakers combine the transparency and transient ability of exotic speakers like electrostatics, but without the drawbacks of directionality, limited dynamic range, and limited bass response."– Don Lindich's Sound Advice Blog View Walsh Tall Ohm TechnologyFind out why Ohm Speakers are unparalleled in sound quality, durability, and value.Coherent Line Source Driver (CLS) Technology provides Full Room Stereo, 3D Stereo Imaging, and true Wave Form Fidelity. Technology Slide - The Legendary Ohm Walsh (2022)Slide - Ohm Technology (2022)Hand Made in USA Since 1971! .tw-heading; cls:uk-animation-slide-bottom-small; delay: 300" id="id-20211123-190933" data-uk-parallax="bgy: -200" data-overlay="0.4">Best ValueOhm speakers provide the most firm, precise stereo imaging over the widest Sweet-Sweep from any speakers world-wide. Extraordinarily natural, intelligible vocal reproduction for both music and films. Hand crafted in the USA. Technology about Technology Walsh TallOhm Walsh Talls are floor standing speakers able to reproduce the full range of music. The height is optimized for seated listening. They are typically used for 2-channel music reproduction and as the main left and right channel in combined music and home theater systems.Walsh Tall →MicroWalsh ShortThe MicroWalsh speakers are smallest versions of our Walsh product line. These are 6” x 6” columns 21” tall. They use the smallest Walsh driver we have ever mass produced. As The New York Times said of an earlier Walsh, “…they create a reach-out-and-touch-it realism…” These are full range systems for small to medium rooms.MicroWalsh Short →Parts & ServiceIf you own Ohm speakers or are considering buying a used pair, you can find info, parts, upgrades and service on most Ohm models produced since 1971.Parts & Service →Our products speak for themselves. Music lovers have listened for over fifty years.Ohm speakers use unique technology that makes music sound better than most ‘live’ performances. They don’t sound like speakers (including speakers at concerts) – they sound like the music. And, you don’t have to sit in one spot to enjoy the music; almost anywhere they sound natural – even the next room listening through an open door! It is easiest to hear this improvement on voices since we all know what live voices actually sound like. In home theater systems, the actors sound like live people and their dialogue is clearly understood from anywhere in the room. Full Room StereoYou will hear a wide, tall and deep 3-D sonic image of the performers from almost any place in the room - not only in one tiny spot directly in front of the speakers. 3-D Stereo ImagingIf the music recording or soundtrack is well-produced, you’ll hear each performer’s exact location in height, width and depth. The ambiance of the performance hall will be accurately conveyed across your listening room. Waveform FidelitySound is the varying of pressure over time. A microphone converts the pressure into an electrical signal. When you ”receive” the actual waveform output of the sound from Ohm Loudspeakers, it closely matches the electrical. Stereo Mass Screenshots. Old Versions of Stereo Mass. Stereo Mass .1 MB . Download. Remove ads with APKPure Premium. Stereo Mass Alternative. Radio Lo Mass Nuevo en Stereo Mass Lo Mass Nuevo en Stereo Mass 🎶

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Aeroquest Mapcon has been providing geospatial data and services to industry and all levels of government across North America for more than 20 years. We are cognizant of the crucial role that such information and technology plays in daily decision making, and aim to offer innovative and industry leading solutions to clients . From satellites, aircraft or UAV's, we provide professional airborne surveys at every level. surface modelingGeneration of Digital Elevation Models (DEM), Digital Surface Models (DSM) and Point Clouds for accurate digital representations of bare earth and non-bare earth surfaces. planimetryCollecting ground features in stereo for accurate x,y,z positioning and data attribution of road edges, building footprints, utilities, land use types, impermeable surfaces, change detection, mass points, break lines, and more. lidarLight Detection and Ranging - Aircraft mounted sensor to capture ground topography used for data analysis, classification and surface modeling. contoursContour lines represent lines of constant elevation illustrating ground slopes, hills, valleys and steepness of terrain. 3-D meshGeneration of 3-D meshes combining digital surface models with aerial imagery to provide three dimensional photo models of surface features. Urban Forest Canopy ModellingUsing LiDAR data, urban forest canopy models can be created showing individual tree crowns, heights and types, and can also be attributed with identifier and location ID. Historical MappingProcessing historic imagery using modern mapping techniques to provide spatially accurate data.